The death avenger of Soho Before Horst "Derrick" Tapp was allowed to slip into his signature role as Inspector television, he has also served in the short term by the German cinemas, and especially its role during selection of the 70's Audibles includes quite a few right. Three times he started with the infamous English director Jesus "Jess" Franco an attack on good taste.
One of these blockbuster collaborations
The death of Soho Avenger, based on a story by Bryan Edgar Wallace. While Dad's stories were often banned a decade earlier still in black and white voices to the screen, they went back on over European directors and brought color to the game to scan the feeling of the 70 and take the pulse of the time. may per se have no problem, but the Italians showed how to send packaged similar stories as "Giallo" present. Also, there is The main story is usually not the big hit, although it has used the death avenger completely down the toilet. Spins initially all about a mysterious knife murderer who his victims packed kindly previously the case as a sign of recognition, one swing later became a mega drug, missing FBI undercover agents and others fuss, and then combine the last moment the stories after all. This not only sounds awkward, it is so, and despite 75 minutes running time, this thing runs extremely well. True, the cute but clumsy staging. Somewhere in the English turned Pampa, you sell the whole thing as a gambling movie in London and the UK capital are more than the archival footage at the beginning.
Otherwise you are limited almost exclusively to interior scenes that play only in 3-4 sets, which are alternate. Sprinkled then a real outdoor shots, you think mostly, we must adjust the new look, so disgusting, the Blur and so completely, you can not lose the impression that the lens was just dirty. Day-night Unequal, Mediterranean vegetation in the supposed England and cars driving stubborn right, complete the Schenkelklopfer character. This may not even reach into the Franco Sleazebottich and thus it is still a feast for the eye, he plays with all sorts of unconventional camera angles that the whole thing a pretentious Touch should be and indeed, some surreal outdoor setting looks out thanks to extreme blur and perfect extras poverty. But that does not change the fact that the film is completely Meschugge and so speaks on trash and extreme € cult fans. The rest comes should reach its limits: 1.5 / 10 In this respect one should have fear of death
avenger from Soho have.
One of these blockbuster collaborations The death of Soho Avenger, based on a story by Bryan Edgar Wallace. While Dad's stories were often banned a decade earlier still in black and white voices to the screen, they went back on over European directors and brought color to the game to scan the feeling of the 70 and take the pulse of the time. may per se have no problem, but the Italians showed how to send packaged similar stories as "Giallo" present. Also, there is The main story is usually not the big hit, although it has used the death avenger completely down the toilet. Spins initially all about a mysterious knife murderer who his victims packed kindly previously the case as a sign of recognition, one swing later became a mega drug, missing FBI undercover agents and others fuss, and then combine the last moment the stories after all. This not only sounds awkward, it is so, and despite 75 minutes running time, this thing runs extremely well. True, the cute but clumsy staging. Somewhere in the English turned Pampa, you sell the whole thing as a gambling movie in London and the UK capital are more than the archival footage at the beginning. 
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